Blayne Degiovanni
Blayne DeGiovanni provides production legal and development counsel for scripted and unscripted projects and offers a tailored and creative approach when working with production companies as well as independent producers, writers, and other creators. From her experience on the talent and management side, managing the global contracts department of a booking agency in live and streaming performances, television production, and other commercial project, Blayne’s 360-degree review of contracts helps our clients identify and address risks. In her time at Ramo, Blayne has provided production legal for 2025 Cannes Premiere The Plague, 2025 Tribeca Premiere Yanuni, and 2024 TIFF premiere Relay. She has also had the privilege of working on projects such as Ronny Chieng: Love to Hate It, Michelle Buteau: A Buteau-ful Mind at Radio City Music Hall, and Leanne Morgan: Unspeakable Things on Netflix, Bill Burr: Drop Dead Years on Hulu, Emmy-award winning program Girls State, and 2024 Sundance premiere Alok.
Prior to joining RAMO, DeGiovanni managed the global contracts department for a music and talent booking agency in Miami and London, where she gained in-depth experience drafting and negotiating contracts for live and streaming performances, television and film production, and other commercial projects, particularly on the talent and management side. Her 360-degree review of contracts and agreements helps our clients identify and address potentially unforeseen risks.
DeGiovanni earned her Juris Doctor and Master of Law in Entertainment, Arts and Sports Law concurrently from the University of Miami School of Law. During law school, she represented children in the dependency system as an intern in the University of Miami Children and Youth Law Clinic.
10351 Washington Blvd.
Culver City, CA 90232
130 West 25th St., Suite 4D
New York, NY 10001
Phone: 310.284.3494
RAMO provides comprehensive legal services to its clients in the entertainment industry with a specialized focus in representing financiers, producers, directors, distributors, studios and production entities in all transactional aspects of film, television and digital content.
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